It’s Carnival Time in Miami
New Arts Complex Changes the Face of Downtown
Miami
By Mary Damiano
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Interior of the Knight
Concert Hall at
the Carnival Center for the Performing Arts Photo: Robert
Figueroa |
You could still smell the paint on
the walls inside the Ziff Ballet Opera House when the
Carnival Center for the
Performing Arts opened for its first show, The Light in the Piazza,
Tuesday night, September 26.
After so many years of construction, so many hardhat tours,
most people who attended opening night were simply happy to be standing in the
completed complex.
And what a complex it is. Literally no matter how you look
at it, the Carnival Center is impressive. Partly because of its location on
Biscayne Bay, architect Cesar Pelli designed the complex so that there was no
backside, no ugly behind the façade. The Carnival Center, therefore, is
gorgeous from all sides.
The inside is equally impressive. Standing in one spot in
the lobby of the Ziff Ballet Opera House and looking up, the view is reminiscent
of the exterior of the Guggenheim Museum in New York City—all sparkling white
circular swirls, a vision of sleek modern design. Looking up from other spots,
the white scallops look like the outside of the Sydney Opera House. And the
windows—well, let’s just say that by the time all that glass was washed, it
would probably all be dirty again. But the views, of the bay, of the city, of
everything—are stunning.
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Sanford and Dolores Ziff, whose
name graces the Ziff Opera House at Carnival Center. Photo:
Mary Damiano |
The Light in the Piazza was the perfect show for
showing off the Ziff Ballet Opera House. The musical frequently treks into
operetta territory, and from the orchestra level, the acoustics were amazing, so
the voices came through strong, clear and decipherable.
The Carnival Center marks a rebirth for Miami. Since
construction began on the complex five years ago, developers hot on building
condos and luxury living spaces have latched onto the concept of a culture-based
urban renewal and have used proximity to the
Carnival Center as a selling point
in advertising. Indeed, living nearby would put arts lovers in an easier
position of attending shows. As things stand now, there is no free parking and
no onsite lot. The lots that are available can be a bit of a walk, especially
for car-dependent South Floridians. On top of that, parking is pricey, $20 and
up, and in some cases must be bought in advance. While Carnival cites its
proximity to public transportation, will arts patrons from outside the immediate
area, from Broward, for example, really go that route?
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Chita Rivera will bring her Broadway show Chita Rivera: A
Dancer's Life to the Ziff Ballet and Opera House this season.
Photo: Joan Marcus |
The Carnival Center encompasses buildings on either side of
Biscayne Boulevard and include many spaces for just events of different scales.
The Sanford and Dolores Ziff Ballet Opera House on the west side of Biscayne has
2,400 seats. Knight Concert Hall, on the east side of Biscayne, has 2,200
seats. Studio Theatre, a black box theatre, has 200 seats. It ill be the home
of City Theatre’s annual Summer Shorts play festival next summer. The Plaza for
the Arts is Carnival’s spacious outdoor area that will be used for social
gatherings and performances. The Peacock Education Center offers companies
8,200 square feet of workshop and classroom space. The Art Deco Tower will soon
have a café.
The various spaces in the
Carnival Center, including the
lobby and other areas, are available for rental, and are being touted for
everything from weddings to awards shows. Those who rent the facility will have
many services available, including catering, seating, linens, full service audio
and visual.
Many arts organizations will present shows at the
Carnival Center, including City Theatre, Concert Association of Florida, Florida Grand
Opera, Miami City Ballet, Miami Light Project, New World Symphony and the Rhythm
Foundation. Broadway Across America will bring touring Broadway entertainment
to the Carnival Center. The Cleveland Orchestra will also spend three weeks in
Miami each year on a residency. In addition to all of these partnerships,
Carnival Center will also present more than 100 shows on their own.
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Hitting the bricks: Sam Carson
and Garrett Yebernetsky with their brick at the Carnival Center for the
Performing Arts Photo: Robert Figueroa |
Even though the
Carnival Center is already presenting
shows, the official grand opening will be held October 5. An all-star event,
Concert for Miami, will kick off four days of celebrations for Miami’s new arts
complex.
Tickets for the star-studded Concert for Miami, the
official opening event of the
Carnival Center for the Performing Arts, are
practically sold out. But the show, which will be held at the Knight Concert
Hall, will be simulcast across the street at the Ziff Opera House. Tickets for
the simulcast are $20 and are still available.
Concert for Miami includes performances by Albita, Jose
Carreras, Gloria Estefan, Andy Garcia, Quincy Jones, Bernadette Peters and
Arturo Sandoval, among others. The festivities will begin at 6 p.m. with an
opening ceremony in the Center’s outdoor Parker and Vann Thomson Plaza for the
Arts and on Biscayne Blvd., which will be closed that night.
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Gloria Estefan, who
will be on hand this weekend for the Carnival Center’s official grand opening
bash |
The festivities continue on Friday, October 6, when two
Carnival Center resident companies will share the spotlight, New World Symphony,
and the Concert Association of Florida. New World Symphony Artistic Director
Michael Tilson
Thomas will lead the orchestra
in the world premiere of Turn the Key, a festival fanfare by acclaimed
American composer Stephen Mackey,
commissioned by the orchestra and Carnival Center. Joining the NWS are two
special guests presented by the Concert Association: Canadian soprano
Measha Brueggergosman, soloist
for Heitor Villa-Lobo’s Bachianas Brasileiras No. 5 and Grammy
Award-winning Russian violin virtuoso
Maxim Vengerov, performing Beethoven’s Violin Concerto.
The program will also feature the finale to Copland’s Symphony No. 3.
On Saturday,
October 7,
Carnival Center resident company
Florida Grand Opera will stage
Act II of Puccini’s La Bohème;
Patricia Racette sings Musetta.
Miami City
Ballet, also a Carnival Center
resident company, for the first time in its history will stage “Aurora’s
Wedding,” the final act of Tchaikovsky and Petipa’s The Sleeping Beauty.
The evening also will star Tony Award winner
Harvey Fierstein. Following
the concert, a grand opening black tie gala will be taking place inside the
elegant “Boulevard Ballroom”, an 1,800-seat supper club, built specifically for
the occasion across from Knight Concert Hall. Guests will enjoy a three-course
dinner and be entertained by an all-female orchestra. The party continues as
the Center’s Peacock Studio is transformed into an exclusive after-hours dance
club with top-notch DJs.
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The Carnival Center for the
Performing Arts in downtown Miami |
The grand opening
festivities will conclude on Sunday, October 8 with “Target
Globalbeat,” presented by Target, a free gospel, reggae, rumba,
cumbia, calypso, konpa, samba, and hip-hop performances by a host of local
musicians and performers. Designed as a community open house, 70 hours of music
from more than 20 different countries will be performed on eight stages. The
annual Miami Carnival Parade & Festival will also be incorporated into the
celebration.
For more information on the
Carnival Center, upcoming events and the grand
opening festivities, visit
carnivalcenter.org.
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